>>Olivier de Sagazan<<

L’ingenue by Stella Im Hultberg

A Letter to Three Wives by David Bray

Bedroom Eyes by Casey Weldon

Drift by Aaron Nagel

Sanctification by Chrystal Chan

Where the Thistle Grows by Nom Kinnear King

Pink Vexation by Cristina Natsukos Paulos

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>>Chrystal Chan<<

>>Eugenio Recuenco<<

These disturbing and grotesquely beautiful sculptures by Sarah Louise Davey are made of vividly, violently, luridly, fantastically painted ceramic, embodying creatures with bold, tortured, glazed stares, and strange growths either covering their eyes or framing them like sick, rotten petals of flesh carved out around an astonishingly open iris. It is unnerving and startling, garish and obscene, and yet has a delicate and whimsical touch, and is quite beautiful. They appear simultaneously textured and not, curiously both 3D and 2D – they look like paintings on porcelain, and the bold, dark lines sketching their features out against the chalky whiteness of the ceramic hold a horrific and fascinating quality.

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Gorgeous and Grotesque: The Art Dolls of Nita Collins

Kinetica Art Fair is produced by Kinetica Museum and is the first of its kind in the UK. It brings together galleries, art organisations and curatorial groups from around the world who focus on kinetic, electronic, robotic, sound, light, time-based and multi-disciplinary new media art, science and technology.

>>Nimit Malavia<<

Esao Andrews combines a colorful palette with a Gothic sensibility. Some of his paintings are twists on traditional portraits from earlier epochs akin to the work of Nicola Samorì. Wildly dilapidated and foreboding houses are a recurring motif, and, reminiscent of Shirley Jackson‘s psychological horror stories, depict the inner, psychical falling apart, decay, distortion, and warping. Fairy tales and folklore, including Pinocchio and Thumbelina, loom in the forefront with menacing or perverted appeal. In some works, his vibrant style illustrates the bizarre, the obscene, and aberrations, contrasting atrocious or monstrous things such as a giant, bloated black spider with a symbol of sweetness, purity, and elevation such as a child or an angel. Some of his illustrations are cartoonish, charmingly retro, with a dark, whimsical sense of humor, while others are realistically rendered and Dali-esque, while yet others are macabre and lovelorn, bloody tale-telling depictions.

>>Kashima Echo<<