• Film Review: The Reflecting Skin

    12.18.11 | Moving Pictures

    1990′s The Reflecting Skin, directed by Philip Ridley, is a weird movie and rather obscure. It’s very interesting, and quiet, bizarre, grotesque, over-the-top, and terribly beautiful, all at once. Visually, it’s amazing. The cinematography is gorgeous, very unforgettable. It has such atmosphere… Eerie, chilling, ominous, cryptic, ascetic yet lush. Admittedly some of the acting is just god-awful (especially the child actors!), but the movie overall is kind of brilliant. Destined to be thought terrible and intolerable by many, I loved it. It is quite possibly the movie that most embodies an “American Gothic” quality/aesthetic, a haunting sense of desolation and hopelessness, mirrored by the land, and a hypocritical, unforgiving puritanism.

    Taking place in rural America in the 1950s (whose landscape of yellow wheat fields and desolate, isolated, gray wood frame houses standing in the midst of them is shot very impressively and gorgeously), The Reflecting Skin is, sort of, about child abuse, innocence, imagination, death, mortality, and love. The main character is a young boy named Seth Dove who creates an elaborate fantasy around a mysterious, otherworldly-seeming English widow who lives nearby, believing her to be a vampire who is preying on his loved ones. I suppose it’s partly about the unimaginable innocence of youth… Instead of registering and owning a sense of evil in the world, Seth displaces it onto this mysterious figure, a source of external, supernatural evil, thus allowing him not to understand these strange, horrific, traumatic events around him.

    The “vampire,” pale, regal, and obsessive, is such a strange, lovely, macabre, spectral, enigmatic character, with the most absolutely haunting speeches, remote yet intense, vehement, and unnerving meditations on aging and love. Icily menacing yet alluring, preternaturally quiet with sudden outbursts of piercing, violent, grotesque, deeply primal, forlorn emotion, mercurial as a madwoman, she was played pretty much to perfection by Lindsay Duncan. She should be an iconic figure, in my opinion.

    This movie is fascinating, and even if you end up not liking it, you should definitely see it. The cinematography alone is worth it.

    The entirety of the film (from the Japanese DVD) is up on YouTube.

    Tags: , , , , , , , , , , , , , , , , , , , , , ,

    post a comment                   [0]

  • Film Review: Sleeping Beauty

    11.14.11 | Moving Pictures



    I saw this a few weeks ago, so this is kind of late, but here goes anyway. There’s “spoilers,” just FYI.

    Sleeping Beauty (2011) is an Australian movie directed by Julia Leigh, starring Emily Browning and Rachael Blake. It’s about a young college student named Lucy who joins a high-end erotic waitressing service that caters to the wealthy, in order to make ends meet, and further agrees to be one of the “sleeping beauties,” so to speak, who form a more specialized subset of the girls. For each engagement she is driven to the madam/Clara’s house, where she takes a powerful sedative in a cup of tea that induces a very heavy, undisturbable, deathlike sleep for a short period, and while she’s out like the eponymous Sleeping Beauty, some client who has paid for the privilege, usually an older man, gets into bed with her and can do whatever they like with her unconscious body, short of actual penetration, for the duration of an hour. She is promised that when she wakes up, she will not remember a single thing, and for her it will be as if it never happened.

    See more after the cut

    Tags: , , , , , , , ,

    post a comment                   [2]

« Previous Entries
Next Entries »

© 2010-2011 Synesthesia Garden