from her “Erotic Medical Burlesque” show at KinKats, Munich, March 2009

Isn’t she divine?

Awesome wheelchair, too.

My Victoriandustrial rock idol Emilie Autumn recently did an interview with Planet Green. I thought her answer to the last question, advice on “how to make more green, compassionate, and creative choices,” was most pertinent, as it’s totally the way I see it, too:

I would suggest that the element that would help the most in keeping our planet green is to learn to appreciate the beauty and importance of what it is that we have, similar to my view of vegetarianism and converting people to that way of eating. It is much more effective, and far less annoying, to increase people’s appreciation for animals of all species than it is to tell people not to eat them. A dietary alteration will soon follow once the animals in question are seen as something more important than food. We need to teach people to fall in love with the natural world again before we can expect them to care about saving it.

Also, here’s a behind-the-scenes video from Emilie’s photoshoot for Bizarre Magazine – with rats! (Don’t mind the God-awful porn lounge-type music they always accompany their videos with, it’s so ridiculous):
Follow ze link

What I admire about them is their ability to create an image for themselves, to forge and strike a visual identity from the inert mass that flares for a pretty near eternal instant.

Descriptor: Vintage Vixen

Mmm, Dita. What I love about the burlesque queen is that she’s always impeccably dressed, and preserves the glamor of the golden age of Hollywood while putting her own twist on it. Her sense of fashion is amazing. She has a very distinctive, consistent style, which is complete and cohesive. She goes for the elegant and glamorous side of retro rather than the kitschy. And she does it through and through. She doesn’t dress casually even to go to the supermarket. With her signature black curls, vividly red lips, and lily-white face, she can be dark, bold, vampish, yet she’s feminine, delicate, always elegant, and sometimes sort of fluffy. She infuses the more mundane present with some of the fascinating and voluptuous glamor and the tightly-controlled, very put-together beauty of the ’40s and ’50s. I think Dita is a perfect example of self-transformation and creating beauty through unique style. Nothing beats her retro look of wickedly defined, bright red lips, jet-black sculpted hair, and clear white skin. Dita’s book, Burlesque and the Art of the Teese/Fetish and the Art of the Teese, is gorgeous and a really fun read.

Descriptor: Experimental Epidemic

The multitalented Destroyx AKA Amelia Arsenic, vocalist for industrial/alternative band Angelspit, is another one of my style heroines. Her blog, www.destroyx.com, is all kinds of goodness. Her ability to style and adorn herself absolutely blows my mind. She combines cyber, fetish, gothic, and retro looks with daring, elegance, and innovation, to create an edgy, sophisticated, and utterly unforgettable image. Even though she takes elements from so many different styles, I think that above all, her style is really only hers and one of a kind. I love the complexity, eclecticism, elaborate accessorizing, and layering that go into her outfits. She is a makeup guru. Her looks are bold, gorgeous, and original. She represents the pinnacle for me of achieving interesting effects through makeup and styling – becoming something more than just yourself visually. Angelspit’s got amazing visual design and aesthetics with her influence, and Destroyx and ZooG (the other member of Angelspit) make a powerful creative duo.

Descriptor: Wayward Victorian Girl/Insane Asylum Inmate

Emilie Autumn is a quirky solo musician who makes self-styled “Victoriandustrial” music. She has a lovely style all her own, which is a kind of bastardized-era, feminine, torn, tattered, wispy, layered, ribbony, very pink-themed goth look. Her hair is divine, a very beautiful shade of pink and/or red. Aside from the Victorian influences, there are fey influences and influences from the Elizabethan period, which show in her music as well. Her style is light, ethereal, and fairy-like, as well as grungier girl-punk with the requisite studded cuffs and tattered fishnets. Bloodstains, hearts, and teatime are recurring elements. Emilie has an incredible ability to create an image, and this can be seen in all the artwork, design, extra features, and images on her Opheliac album – a testament to her creativity and styling genius. She is charming, alluring, and promises to take you beyond the mundane, into a secret world of melodramatic madnesses, anachronisms, oppression, and trauma. Her whole aesthetic concept revolves around the “Asylum.” Her style is very coherent, but has lots of variety and potential. Her very basic and most replicable look is something like a “dirty”/tattered white tank top with a heart patch, or a tea-stained corset, with bloomers, red-and-white stripey stockings/asymmetrical legwear, and of course, her heart makeup.