A monograph on the beautiful, lush, brightly colored, rich, scientifically precise yet surreal paintings of Tiffany Bozic, inspired by nature and reminiscent of vintage natural history illustrations, is available for purchase from Gingko Press.
Alex CF painstakingly creates these cryptozoological specimens encased in bell jars and elaborate, gorgeous display cabinets replete with the paraphernalia, notes, and mementos of the scientific ventures that captured these exquisite specimens. He almost creates complete miniature scenes around the specimens: there are reliquaries, study cases, vampire slaying kits, portable bio-aetheric animation laboratories, coffers, and sarcophagi. The specimens are drawn from literary works, including Lewis Carroll’s Alice’s Adventures in Wonderland, Dante’s Inferno, H. G. Wells’ The Island of Doctor Moreau, Mary Shelley’s Frankenstein, H. P. Lovecraft’s At the Mountains of Madness and Chthulhu Mythos, as well as folklore and legend. The array of allusions to classical eerie fiction is delightful.
He reimagines and renders these cryptic, bizarre, mythical creatures and beings, sirens, faeries, mutants, succubi, devilspawn, atrocities against nature, resulting in specimens that are disturbingly lifelike and real enough to touch. They are repulsive and yet alluringly detailed. The displays also come with beautifully drawn illustrations, which are as fascinating as the specimens themselves.
Tags: alice in wonderland, anatomical illustrations, anatomical-themed, artifacts of the past, autopsy, babies, bizarre, chthulhu, corpses, creature, creepy, cryptid, cryptozoology, eerie, exposed anatomy, fairies, fairy tales, fleshy, gory, grotesque, hunter/hunted, illustrations, macabre, monsteresque, mythos, natural history, religious imagery, sculptures, sideshows, sinister arts and crafts, taxidermy, vampires, vials, victorian, vintage, visceral, vivisected, weird science projects
Esao Andrews combines a colorful palette with a Gothic sensibility. Some of his paintings are twists on traditional portraits from earlier epochs akin to the work of Nicola Samorì. Wildly dilapidated and foreboding houses are a recurring motif, and, reminiscent of Shirley Jackson‘s psychological horror stories, depict the inner, psychical falling apart, decay, distortion, and warping. Fairy tales and folklore, including Pinocchio and Thumbelina, loom in the forefront with menacing or perverted appeal. In some works, his vibrant style illustrates the bizarre, the obscene, and aberrations, contrasting atrocious or monstrous things such as a giant, bloated black spider with a symbol of sweetness, purity, and elevation such as a child or an angel. Some of his illustrations are cartoonish, charmingly retro, with a dark, whimsical sense of humor, while others are realistically rendered and Dali-esque, while yet others are macabre and lovelorn, bloody tale-telling depictions.
Tags: (twists on) traditional art, dark, illustrations, innocence/menace, macabre, modern fairy tales, monsteresque, neo-victorian, pop surrealism, portraits, realism, religious imagery, spiders, surreal, symbolism, victorian
Tags: butterflies, dollflesh, emotive, expressive, flowers, hair, hauntingly beautiful, illustrations, innocence/menace, modern fairy tales, otherworldly, soft color, strings, sweet/melancholy, unnaturally colored flesh, visceral, wounded
These beautiful images are from the book Alice, à travers le miroir, a French edition of Lewis Carroll’s Through the Looking-Glass, and What Alice Found There illustrated by Lost Fish (see my previous post on her).
Tags: (twists on) traditional art, alice in wonderland, children, cute little girls, dollflesh, fragility, historically inspired, illustrations, innocence/menace, lolita-esque, lost fish, neo-victorian, pop surrealism, porcelain, precious, queens, red and white, surreal, sweet/melancholy
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