Hell House: The Art of Esao Andrews
Esao Andrews combines a colorful palette with a Gothic sensibility. Some of his paintings are twists on traditional portraits from earlier epochs akin to the work of Nicola Samorì. Wildly dilapidated and foreboding houses are a recurring motif, and, reminiscent of Shirley Jackson‘s psychological horror stories, depict the inner, psychical falling apart, decay, distortion, and warping. Fairy tales and folklore, including Pinocchio and Thumbelina, loom in the forefront with menacing or perverted appeal. In some works, his vibrant style illustrates the bizarre, the obscene, and aberrations, contrasting atrocious or monstrous things such as a giant, bloated black spider with a symbol of sweetness, purity, and elevation such as a child or an angel. Some of his illustrations are cartoonish, charmingly retro, with a dark, whimsical sense of humor, while others are realistically rendered and Dali-esque, while yet others are macabre and lovelorn, bloody tale-telling depictions.
Tags: (twists on) traditional art, dark, illustrations, innocence/menace, macabre, modern fairy tales, monsteresque, neo-victorian, pop surrealism, portraits, realism, religious imagery, spiders, surreal, symbolism, victorian
Lost Fish’s Alice
These beautiful images are from the book Alice, à travers le miroir, a French edition of Lewis Carroll’s Through the Looking-Glass, and What Alice Found There illustrated by Lost Fish (see my previous post on her).
Tags: (twists on) traditional art, alice in wonderland, children, cute little girls, dollflesh, fragility, historically inspired, illustrations, innocence/menace, lolita-esque, lost fish, neo-victorian, pop surrealism, porcelain, precious, queens, red and white, surreal, sweet/melancholy
KuKula’s “Lonely Opulent Things”
Nataly Abramovitch AKA KuKula‘s new show, Lonely Opulent Things, opens today at the Corey Helford Gallery, with guest artist Natalie Shau. This Rococo-inspired new collection is bright with delicate, playful pastels redolent of Marie Antoinette’s exuberant era and features KuKula’s signature sweetness of style combined with melancholy and decadence, and themes of corrupted innocence. It is just so colorful!
Tags: 18th century, animals, art shows, cute, dreamscapes, historically inspired, innocence, kukula, lolitaism, natalie shau, pastel, pop surrealism, precious, sexuality, soft color, sweet/melancholy
Merve Morkoç
>>Merve Morkoç<<
Tags: anatomical-themed, dollflesh, hair, illustrations, macabre, pop surrealism, portraits, red and white, street art, victorian, vintage
Mark Ryden Print
Yay, I received my very own print of Mark Ryden’s Puella Animo Aureo today! It shall go next to my Dilka Bear print.
Tags: lolita-esque, mark ryden, pastel, pop surrealism
Neo-Victorianism + Japanese Inspiration + Consumer Whoredom: The Art of Alex Gross
The Victorian era, traditional Japanese art and contemporary Japanese pop culture, super-consumer culture, mid-century America, classic Christian iconography, poster art, ironic/mystical symbolism, and ice cream cones all mix together in Alex Gross’ bright, colorful brand of Pop Surrealism.
Tags: (twists on) traditional art, 1950s, animals, classic hollywood, colorful, consumerism, edo-period japan, geisha-inspired, neo-victorian, nurse, pop surrealism, religious imagery, retro, symbolism, victorian
Jana Brike’s “The Book of Taboo”
Jana Brike currently has a solo exhibit at ArtHatch in Escondido, California. Titled The Book of Taboo, this lush white-dominated, pink-tinged series focuses on prepubescent, androgynous girls and boys with milk-white skin and cherubic features, and portrays the theme of (yep, you guessed it) corrupted innocence. Lurid and twisted sexuality, eerie and sinister surreal imagery combined with the sweetness and purity of the diminutive figures, gambol and play in these portraits of children suspended somewhere between childhood and adolescence, between innocence and depraved malice. Jana Brike explains the influences behind these paintings here.
Tags: children, dollflesh, innocence/menace, jana brike, lolitaism, pop surrealism, sexuality, white
Lori Earley
Lori Earley was one of the very first artists I discovered when I was getting into Pop Surrealism years ago, so it seems fitting that I do a post on her sometime. Earley has been exhibiting her distinctive, hyperrealistic, haunting portraits of women since 2004. The “distorted realism” of these paintings gives them a poignant beauty. They portray otherworldly female subjects, sharply yet delicately delineating their slightly alien features and capturing their expressions with incredible detail. As her Website bio aptly puts it, “While her femme fatale portraits mature in style and intensity, they retain her signature ethereal quality that embodies an undeniably feminine force.”
Tags: alien beauty, distorted bodies, doll-like, emotive, enlarged eyes, expressive, hauntingly beautiful, lori earley, neo-victorian, pop surrealism, portraits, realism, sweet/melancholy, virtuoso
Sas + Colin: Colin Christian
Colin Christian makes larger-than-life sculptures of space-girls, aliens, and femme fatale creatures, in a style I dub cyber retro-erotic which takes influence from many different subcultures. Statuesque and cast in fiberglass and silicone, these cartoonishly exaggerated, indomitably perfect figures with piercing, gigantic, pellucid eyes, featuring campy titles such as Adventures on Planet Freud and The Callgirl of Cthulhu, are a sort of oddball mixture of his diverse inspirations, including “old sci-fi movies, pinup girls/supermodels, anime,” and “H. P. Lovecraft.” I find some of his work to be not to my taste, bordering on obscene or downright creepy (not to say disturbing), but these pieces below I do like. Also check out Sas’ art in the previous post.
Tags: alien beauty, bizarre, cartoony, cyber aesthetic, distorted bodies, doll-like, enlarged eyes, erotic, fetish, futuristic, life-sized, lolita-esque, monsteresque, pinup, pop surrealism, realism, retro, sci-fi, sculptures, sinister arts and crafts, space girls, strange beauty
Sas + Colin: Sas Christian
Sas Christian is a painter of portraits of women who are beautiful but also just a bit dangerous or deadly, with their unsettling gaze, focusing unnaturally enlarged, glassy eyes, which are her trademark, on the viewer. Sas is often referred to in conjunction with her husband and fellow artist, Colin Christian (who I will do a post on a bit later). Sas + Colin are an electric duo in the contemporary art scene. Their art shares many similarities, with related themes running through it, but also differs quite dramatically. Below is a sample of Sas’ work.
Tags: enlarged eyes, expressive, innocence/menace, medical-themed, nurse, photorealism, pop surrealism, portraits, strange beauty
Categories
Search
Contact
© 2010-2011 Synesthesia Garden