• Let it perish

    “Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over.
    The Tide ebbed, sucked back into itself. There I was, a reject, with the dried black seaweed whose hard beads I liked to pop, hollowed orange and grapefruit halves and a garbage of shells. All at once, old and lonely, I eyed these–razor clams, fairy boats, weedy mussels, the oyster’s pocked gray lace (there was never a pearl) and tiny white ‘ice cream cones.’ You could always tell where the best shells were–at the rim of the last wave, marked by a mascara of tar. I picked up, frigidly, a stiff pink starfish. It lay at the heart of my palm, a joke dummy of my own hand. Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.”

    –Sylvia Plath

  • Poetry: “The Rabbit Catcher” by Sylvia Plath

    It was a place of force -
    The wind gagging my mouth with my own blown hair,
    Tearing off my voice, and the sea
    Blinding me with its lights, the lives of the dead
    Unreeling in it, spreading like oil.

    I tasted the malignity of the gorse,
    Its black spikes,
    The extreme unction of its yellow candle-flowers.
    They had an efficiency, a great beauty,
    And were extravagant, like torture.

    There was only one place to get to.
    Simmering, perfumed,
    The paths narrowed into the hollow.
    And the snares almost effaced themselves –
    Zeroes, shutting on nothing,

    Set close, like birth pangs.
    The absence of shrieks
    Made a hole in the hot day, a vacancy.
    The glassy light was a clear wall,
    The thickets quiet.

    I felt a still busyness, an intent.
    I felt hands round a tea mug, dull, blunt,
    Ringing the white china,
    How they awaited him, those little deaths!
    They waited like sweethearts. They excited him.

    And we, too, had a relationship -
    Tight wires between us,
    Pegs too deep to uproot, and a mind like a ring
    Sliding shut on some quick thing,
    The constriction killing me also.

    - Sylvia Plath, 1965

  • Poetry: “Black Rook in Rainy Weather” by Sylvia Plath

    On the stiff twig up there
    Hunches a wet black rook
    Arranging and rearranging its feathers in the rain.
    I do not expect a miracle
    Or an accident

    To set the sight on fire
    In my eye, nor seek
    Any more in the desultory weather some design,
    But let spotted leaves fall as they fall,
    Without ceremony, or portent.

    Although, I admit, I desire,
    Occasionally, some backtalk
    From the mute sky, I can’t honestly complain:
    A certain minor light may still
    Lean incandescent

    Out of kitchen table or chair
    As if a celestial burning took
    Possession of the most obtuse objects now and then —
    Thus hallowing an interval
    Otherwise inconsequent

    By bestowing largesse, honor
    One might say love. At any rate, I now walk
    Wary (for it could happen
    Even in this dull, ruinous landscape); sceptical,
    Yet politic; ignorant

    Of whatever angel any choose to flare
    Suddenly at my elbow. I only know that a rook
    Ordering its black feathers can so shine
    As to seize my senses, haul
    My eyelids up, and grant

    A brief respite from fear
    Of total neutrality. With luck,
    Trekking stubborn through this season
    Of fatigue, I shall
    Patch together a content

    Of sorts. Miracles occur.
    If you care to call those spasmodic
    Tricks of radiance miracles. The wait’s begun again,
    The long wait for the angel,
    For that rare, random descent.
    —–Sylvia Plath

  • Poetry: “Dark Woods, Dark Water”

    This wood burns a dark
    Incense. Pale moss drips
    In elbow-scarves, beards

    From the archaic
    Bones of the great trees.
    Blue mists move over

    A lake thick with fish.
    Snails scroll the border
    Of the glazed water

    With coils of ram’s-horn.
    Out in the open
    Down there the late year

    Hammers her rare and
    Various metals.
    Old pewter roots twist

    Up from the jet-backed
    Mirror of water
    And while the air’s clear

    Hourglass sifts a
    Drift of goldpieces
    Bright waterlights are

    Sliding their quoits one
    After the other
    Down boles of the fir.
    — Sylvia Plath

  • Poetry Corner: “Lady Lazarus”

    I have done it again.
    One year in every ten
    I manage it–

    A sort of walking miracle, my skin
    Bright as a Nazi lampshade,
    My right foot

    A paperweight,
    My face a featureless, fine
    Jew linen.

    Peel off the napkin
    O my enemy.
    Do I terrify?–

    The nose, the eye pits, the full set of teeth?
    The sour breath
    Will vanish in a day.

    Soon, soon the flesh
    The grave cave ate will be
    At home on me

    And I a smiling woman.
    I am only thirty.
    And like the cat I have nine times to die.

    This is Number Three.
    What a trash
    To annihilate each decade.

    What a million filaments.
    The peanut-crunching crowd
    Shoves in to see

    Them unwrap me hand and foot–
    The big strip tease.
    Gentlemen, ladies

    These are my hands
    My knees.
    I may be skin and bone,

    Nevertheless, I am the same, identical woman.
    The first time it happened I was ten.
    It was an accident.

    The second time I meant
    To last it out and not come back at all.
    I rocked shut

    As a seashell.
    They had to call and call
    And pick the worms off me like sticky pearls.

    Dying
    Is an art, like everything else.
    I do it exceptionally well.

    - from “Lady Lazarus” by Sylvia Plath

  • Poetry: “Tulips” by Sylvia Plath

    This is one of my favorite poems ever.

    The tulips are too excitable, it is winter here.
    Look how white everything is, how quiet, how snowed-in.
    I am learning peacefulness, lying by myself quietly
    As the light lies on these white walls, this bed, these hands.
    I am nobody; I have nothing to do with explosions.
    I have given my name and my day-clothes up to the nurses
    And my history to the anesthetist and my body to surgeons.

    See more after the cut